Book 3: Telemachus is welcomed by Nestor at Pylos, hears how the Greek leaders came home from Troy and how Orestes avenged Agamemnon, and sets off for Sparta.
Guided by Athene, who is disguised as Mentor, Telemachus sails overnight to Pylos, the well-ordered kingdom of old King Nestor. He is welcomed exactly as a guest should be, and he hears Nestor’s long memories of Troy and of the Greek leaders’ journeys home, above all the murder of Agamemnon and the revenge of his son Orestes. Nestor has no news of Odysseus, so he sends Telemachus on to Menelaus at Sparta.
Pylos is the first model household in the poem: xenia is performed correctly, the kingdom is at peace, and father and sons live in harmony, which is the opposite of the disorder on Ithaca. Nestor’s story of Agamemnon and Orestes plants the revenge parallel that runs through the whole poem. The workbook marks Book 3 as unprescribed: read it for the story and as background for essays. It is not examined as a context passage.
The travellers land during a sacrifice to Poseidon; Athene encourages Telemachus, and Pisistratus welcomes them to the feast.
After the meal Nestor asks who his guests are; Telemachus asks about his father, and Nestor remembers Troy and Odysseus.
Nestor tells how the Greeks quarrelled after Troy and sailed home separately, and what he has heard of the others.
Nestor holds up Orestes as a model; they talk about the suitors, Athene speaks up for the gods’ power, and Telemachus asks for the whole story.
Nestor tells how Aegisthus won Clytemnestra, how Menelaus was driven to Egypt, and how Orestes took revenge; he sends Telemachus to Sparta.
Nestor insists that Telemachus sleeps in his palace; Athene flies off as a vulture, and Nestor recognises the goddess.
Nestor sacrifices a heifer to Athene, Polycaste bathes Telemachus, and he sets out for Sparta by chariot with Pisistratus.
Note (line 5). The whole city is holding a public sacrifice to Poseidon, the god of the sea. A sacrifice meant killing animals as an offering to a god and then feasting on the meat.
Worth noticing. The textbook points out that Nestor’s grand sacrifice to Poseidon shows a mortal actively keeping on good terms with a god: correct religious behaviour as insurance against divine anger. It also displays Nestor’s timē, his wealth and piety performed in front of his whole community.
Note (line 17). Nestor is the old king of Pylos, the oldest and wisest of all the Greek leaders who fought at Troy. Telemachus has come to ask him for news of his father.
Note (lines 24–25). “Where your own intelligence fails, a god will inspire you” is a common idea in Homer. When a person needs it most, a god quietly gives them the courage or the right words, and help from the gods often arrives as a sudden thought.
But as soon as they caught sight of the strangers they all made a move in their direction, took them by the hand and invited them to join them. Nestor’s son, Peisistratus, who was the first to reach them, took them both by the hand and gave them places at the banquet on downy fleeces spread over the sandy beach, near his brother Thrasymedes and his father.
Book 3, workbook lines 31–37
Note (lines 34–35). This is xenia done properly: the strangers are welcomed and given a place at the feast before anyone even asks who they are. It is the exact opposite of the suitors back home.
Note (lines 45–46). Pisistratus offers the wine-cup to the older guest first. Serving the senior person before anyone else was a mark of good manners.
Note (lines 63–64). The polite order was food first and questions afterwards: you never quizzed a guest before feeding him.
Note (line 67). Nestor asks straight out whether they are traders or pirates. It sounds rude, but it was the normal thing to ask strangers arriving by sea, because piracy was a genuine danger.
Worth noticing. Telemachus gives an honest account of himself as soon as he is asked, which the textbook lists among a good guest’s duties. He is also following Athene’s instruction to make the appeal himself.
And all the time there was not a man that dared to match his wits against the admirable Odysseus, who in every kind of strategy proved himself supreme – your father, if you really are his son. Indeed, I cannot help looking at you in awe: you talk exactly as he did, and I should have sworn no young man could so resemble him in speech.
Book 3, workbook lines 106–111
Note. The textbook’s Kleos and Disguise chapters mention Nestor seeing a likeness to Odysseus in Telemachus’ head and eyes. In Rieu’s translation Nestor speaks of a likeness in speech; the remark about the head and fine eyes is made by “Mentes” in Book 1.
Key idea. The textbook calls this recognition by likeness: being seen as his father’s son raises Telemachus’ standing. It is personal timē given to him now, and it links him to Odysseus’ continuing story, which is kleos by association.
Note (line 97). Nestor names the greatest Greek warriors who died at Troy: Achilles, the mightiest of all, the giant Ajax, and Patroclus, Achilles’ closest friend.
After we had destroyed Priam’s towering city we left in our ships, but then the gods scattered the fleet. Zeus planned disaster for our homeward journey because we had not all behaved sensibly and honestly, and many came to grief through the fatal anger of the bright-eyed Daughter of that mighty Sire.
Book 3, workbook lines 116–120
Note (line 117). The journeys home of the Greek army (their nostoi, or homecomings) went disastrously wrong, and the gods were behind it. That is the same subject as the whole Odyssey.
Note (lines 119–120). “The Daughter” is Athene. During the sack of Troy the Greek army committed crimes in her temples, so she turned against them and made their voyages home a nightmare.
Note (line 121). The “sons of Atreus” are the two Greek commanders and brothers, Agamemnon and Menelaus. Here they fall out over when to sail home, and the argument splits the whole army.
Key idea. Asked for news of Odysseus, Nestor gives a history of homecomings instead. The textbook notes that some leaders got back quickly, some slowly and some never. Nestor’s own return was smooth, and his settled household and grand sacrifice show what a completed nostos looks like, which quietly measures how far Ithaca has fallen from it.
As for Agamemnon, though you live far away, you must have heard how he had no sooner got back than he fell a wretched victim to Aegisthus’ plot. And a grim reckoning there was for Aegisthus! Which shows what a good thing it is, when a man dies, for a son to survive him, as Orestes survived to take revenge on the treacherous Aegisthus who had killed his noble father. So you, my friend – and what a tall and splendid young man you have become! – be as brave as Orestes. Then future generations will sing your praises.’
Book 3, workbook lines 173–180
Agamemnon and Orestes. This story is repeated more than once across the Telemachy. It works as a model: Telemachus is being encouraged, again, to think about what decisive action of his own might look like. Nestor holds Orestes up as an example of exactly the kind of decisive action a son should take.
Note (lines 174–175). This is the story the poem keeps coming back to. King Agamemnon, the leader of the Greeks, was murdered the moment he got home from Troy by Aegisthus, the man who had taken up with his wife Clytemnestra while he was away.
Note (line 177). Orestes grew up and killed his father’s murderer, Aegisthus, and became the model of a son who does his duty and avenges his father.
A god who wills it can bring anyone safely home however far away he may be. And for myself I would rather live through untold hardships to reach home in the end and see that happy day, than come straight back and die at my own hearth, as Agamemnon died by the wiles of his wife and Aegisthus.
Book 3, workbook lines 208–212
Worth noticing. Telemachus is now asking questions and steering the conversation, the young man who a few hours earlier did not know how to greet Nestor.
At first Queen Clytaemnestra turned a deaf ear to his dishonourable schemes. She was a sensible woman, and besides, she had a minstrel with her, to whom Agamemnon when he left for Troy had given orders to watch over his queen. But when the fatal day came, appointed by the gods for her to yield, Aegisthus took this minstrel to a desert isle, left him there as carrion for the birds of prey, and carried Clytaemnestra off to his own house, fond lover, willing lady.
Book 3, workbook lines 240–246
Worth noticing. The textbook points out that the poem gives its worst wife a moment of sympathy before condemning her. Clytemnestra is the standing warning of what Penelope’s situation could have become.
Note (line 232). In this world, taking revenge for a murdered relative was seen as a sacred duty.
Note (line 240). Before he left for Troy, Agamemnon set a loyal poet-minstrel to keep an eye on his wife. She held out against Aegisthus until he got the minstrel out of the way.
Key idea. This answers Telemachus’ question: Menelaus was away, driven far off course, which left Aegisthus free to act.
Be warned yourself, my friend! Don’t stray too long or too far from home, nor leave your wealth unguarded with such a set of arrogant brutes in the place, unless you want them to share it out, to eat up all you have, so making your journey futile.
Book 3, workbook lines 276–279
Worth noticing. Nestor’s last words about Menelaus repeat what Athene said about Nestor at the start of the book: appeal to him in person, though a man as wise as he is will not lie.
Key idea. The textbook explains why Telemachus travels on: Menelaus has only recently made it home, and since he travelled further and took longer to return, he might have more recent news.
Note (lines 290–291). Burning the animals’ tongues and pouring out wine as offerings to the gods are the proper closing rituals of a feast, performed before everyone goes to bed.
‘May Zeus and the other immortal gods forbid that you should go to your ship and turn aside from my house as though it belonged to some destitute pauper who hasn’t enough blankets and rugs for himself and his guests to sleep between in comfort! Indeed, I have good bedding for all; and I swear that the son of my friend Odysseus shall not lie down to sleep on his ship’s deck so long as I am alive or sons survive me here to entertain all visitors that come to my door.’
Book 3, workbook lines 299–305
Note (line 299). Nestor is appalled at the thought of his guests sleeping on their ship. Hospitality (xenia) placed real duties on the host as well as giving rights to the guest, and he would be ashamed to let them go.
As she finished, bright-eyed Athene took the form of a vulture and flew off. They were all amazed. The old King marvelled at the sight. ‘Telemachus, dear boy!’ he exclaimed, seizing him by the hand. ‘There is no chance that you will ever be a coward or weakling when, young as you are, you already have your guardian gods at your side.
Book 3, workbook lines 316–320
Note. The textbook says an eagle; Rieu’s translation has a vulture.
Note (lines 316–317). Athene leaves by turning into a bird. This half-glimpse of a god showing their true nature is called an epiphany, and it tells the watching mortals that a god has been among them.
Note (line 322). “The august Lady of Triton” is a title for Athene. Nestor now realises that the “Mentor” who had been guiding Telemachus was really the goddess herself.
Remember. Mentor, like Mentes in Book 1, is Athene in disguise. The textbook stresses that where Telemachus recognised her alone in Book 1, this revelation is public, and Nestor responds by ordering a sacrifice.
Note (lines 347–348). The sceptre is the staff a leader holds as the sign of his lawful authority. Nestor holds it as he sits to give judgement to his people.
Note (line 367). A goldsmith coats the sacrificial animal’s horns with gold to make the offering more splendid. No expense was spared when honouring a god.
Note (line 374). The women’s cry is the ololyge, the ritual cry let out at the exact moment the animal is sacrificed.
Worth noticing. Nestor sits where his father sat, surrounded by six sons who do as he asks. Pylos shows father and sons in harmony and a kingdom in order, the household that Ithaca has lost.
The beautiful Polycaste, King Nestor’s youngest daughter, now bathed Telemachus. When she had bathed him and rubbed him with olive-oil, she gave him a tunic and arranged a fine cloak round his shoulders, so that he stepped from the bath looking like an immortal god. He then went and sat down by Nestor, the shepherd of the people.
Book 3, workbook lines 379–384
Key idea. The textbook lists escort or provisions for the journey on as the last step a host should take. Nestor gives Telemachus a chariot, horses and his own son as guide, completing the full sequence of xenia, and the stop with Diocles at Pherae shows the same rules working on the road.
Next. Follow Telemachus to Book 4 · Sparta.
Pylos is a model of good hospitality. Pisistratus comes to the strangers at once, seats them, gives them meat and wine and includes them in the prayers, and only afterwards does Nestor ask who they are. Nestor insists that Telemachus sleeps in his palace and sends him on with a chariot, horses and his son as escort, while Telemachus behaves as a good guest, honest about who he is and ready to move on. Lesson 1 · Xenia
Asked for news of Odysseus, Nestor gives a history of homecomings: the leaders quarrelled after Troy fell and sailed separately, and some got back quickly, some slowly and some never. He dwells on Agamemnon, murdered on arrival and avenged by Orestes. Nestor’s own return was smooth, and his settled household shows what a completed nostos looks like. Lesson 2 · Nostos
Nestor’s grand public sacrifice and feast display his timē, his wealth and piety shown in front of his community. Nestor’s recognition of Odysseus in Telemachus gives the young man personal standing and links him to his father’s story. Orestes, who earns both respect and lasting fame by avenging his father, is held up to Telemachus with the promise that future generations will sing his praises. Lesson 3 · Kleos and timē
Nestor’s sacrifice to Poseidon shows a mortal keeping on good terms with a god as insurance against divine anger. Nestor also explains the disasters after Troy as Zeus’ punishment for the Greeks’ own wrongdoing. Athene reveals herself by leaving as a bird in front of the court, and Nestor recognises a god and orders a sacrifice. Lesson 4 · Gods and fate
Nestor recognises Odysseus in the way Telemachus speaks, a recognition by likeness that raises the young man’s standing. Athene’s departure as a bird is a public revelation, where in Book 1 Telemachus recognised her alone. Lesson 6 · Disguise and recognition
Nestor spends most of Book 3 narrating the past: the quarrels after Troy, the separate departures, Agamemnon’s death and Orestes’ revenge. His stories seem accurate, but they are plainly selective and aimed at Telemachus, so the textbook calls him the teller as teacher. Lesson 7 · Storytelling
Nestor recalls that Clytemnestra resisted Aegisthus at first, being a sensible woman, until he wore her down. The poem gives its worst wife a moment of sympathy before condemning her, and she stands as the warning of what Penelope’s situation could have become. Lesson 8 · Women
| Nestor | king of Pylos, the oldest and wisest of the Greek leaders at Troy |
| Pisistratus | Nestor’s young son, who welcomes the guests and escorts Telemachus to Sparta |
| Thrasymedes, Echephron, Stratius, Perseus, Aretus | Nestor’s other sons; Thrasymedes strikes the heifer at the sacrifice |
| Polycaste | Nestor’s youngest daughter, who bathes Telemachus |
| Agamemnon, Aegisthus, Clytemnestra, Orestes | the people of Nestor’s story of murder and revenge at Mycenae |
| Menelaus | Agamemnon’s brother, blown to Egypt and only lately home; Telemachus meets him in Book 4 |
| Diocles | the host at Pherae on the road to Sparta |