- Section A Culture
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1.01.1OverviewWhat the Culture half covers, and how the Mycenaean age sits behind Homer.1.2Dating the Mycenaean AgeWhen the Mycenaean age was, what defined it, and why it sits four hundred years before Homer.1.3MycenaeThe prescribed site in full — its setting, the Cyclopean walls and Lion Gate, the palace and megaron, the cistern and sally ports, and the tombs.1.4TirynsThe prescribed fortress in full — its Cyclopean walls and galleries, the great ramp and gate, the palace, the water passages and its tholos tomb.Troy and HomerThe prescribed site in full — where Troy is, the layers of the mound, and the case for and against Troy VI and Troy VIIa being Homer's city.
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2.02.1OverviewDaily life behind the palace walls.2.2The Palace and the MegaronThe typical complex, its layout and how it was used.2.3Hunting and the EliteThe evidence and what it shows (source: dagger blade with hunting scene, Grave Circle A).2.4Armour, Weapons and WarfareEquipment and how it was used (source: Mycenaean warrior vase, House of the Warrior).2.5Chariots, Clothing and TradeThe wider picture of everyday life.Linear BHow the tablets survived, what they record and why they matter (source: Linear B “tripod” tablet, Pylos).
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3.03.1OverviewThe craftsmanship of the Mycenaean world.3.2FrescoesTechniques, colours and typical designs (source: fresco of a lady holding a necklace, House of the Chief Priest).3.3Jewellery and MetalworkTechniques and materials, including gold, amber and glass (source: gold rhyton, Grave Circle A).3.4Decorative ObjectsStorage and drinking vessels, ivory carving and votive offerings (source: gold pyxis, Grave Circle A).FigurinesPhi, psi and tau figures and what they were for.
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4.04.1OverviewHow the Mycenaeans buried their dead.4.2Burial Customs and BeliefsWhat the graves suggest about attitudes to death.4.3Shaft Graves and Cist GravesTheir structure and use.4.4Tholos and Chamber TombsTheir structure and use (source: Treasury of Atreus, Mycenae).4.5Grave Circle A and Grave Circle BThe contents and what they tell us (source: gold death mask of Agamemnon, Shaft Grave V).Funerary ObjectsWhat was buried with the dead and why.
- Section B Literature Homer, Odyssey 9, 10, 19, 21 & 22
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5.05.1OverviewHow to read the Odyssey and what this half asks of you.5.2Homer as a StorytellerHow the poem might have been composed and performed.5.3What Makes the Odyssey an Epic PoemThe features of the genre.5.4SimilesHow they work and why they matter.5.5EpithetsThe repeated descriptive tags and their effect.FormulaeRepeated phrases and lines, and what they were for.
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6.06.1OverviewWhere Book 9 sits in the poem and the tale Odysseus tells.6.2The Cicones and the Lotus-eatersThe opening adventures.6.3Into the CaveOdysseus, Polyphemus and the failure of xenia.6.4The Blinding and the “Nobody” TrickDeceit and intelligence in action.6.5The Escape and the BoastCunning, and the pride that costs him.Polyphemus as Monster and HerdsmanHow the Cyclops is portrayed.
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7.07.1OverviewThe adventures of Book 10.7.2Aeolus and the Bag of WindsA homecoming thrown away.7.3The LaestrygoniansCivilisation, barbarism and the loss of the fleet.7.4Circe as WitchThe transformation of the crew.7.5Circe as HostHospitality, danger and the year on Aiaia.The Crew of OdysseusHow they are portrayed and why they matter.
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8.08.1OverviewThe disguised hero back in his own hall.8.2The Beggar and the QueenOdysseus and Penelope in conversation.8.3The RecognitionEurycleia, the foot-washing and the scar.8.4Penelope as Wife, Host and QueenHow she is portrayed.Deceit, Disguise and NostosThe threads running through the book.
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9.09.1OverviewThe test that sets up the climax.9.2Penelope Sets the Contest of the BowThe challenge laid down.9.3The Suitors FailHow the suitors are portrayed.9.4Telemachus as Son and HeroHis growing role.9.5The Loyal SlavesEumaeus and Philoetius, and Odysseus' revelation to them.The Stringing of the BowThe hero reclaims his place.
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11.011.1OverviewDrawing the poem together for the exam.11.2Xenia Across the PoemGuest-friendship honoured and abused.11.3Deceit and TrickeryLies, disguise and cunning as a way of surviving.11.4Civilisation and BarbarismHow places and characters are judged.11.5Revenge and JusticeThe punishment of the suitors and the slaves.11.6NostosThe desire to return home as the engine of the poem.11.7The Role of FateWhat is fixed and what is chosen.11.8The Character of OdysseusLeader, husband, father, warrior; his cunning, his skill as a speaker, and his bond with Athena.11.9The Gods in the OdysseyHow the divine shapes events.Exam TechniqueThe Literature section, the prescribed extracts and the longer responses.