- Section A Culture
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1.01.1OverviewWhat the Culture half covers, and how Romans lived in the city.1.2The InsulaThe design of apartment blocks and who lived in them (site: Insula of Diana, Ostia).1.3The Atrium DomusThe layout of a typical Pompeian house (site: House of Menander, Pompeii).1.4DecorationFrescoes and mosaics in the home (site: House of Octavius Quartio, Pompeii).Living Conditions of Rich and PoorThe evidence and the contrast (site: House of the Wooden Partition, Herculaneum).
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2.02.1OverviewThe Roman household and its hierarchy.2.2The PaterfamiliasHis rights and duties over the household.2.3Patrons and ClientsThe bonds of obligation in Roman life.2.4Educating ChildrenThe litterator, grammaticus and rhetor, and what was taught at each stage.2.5School Equipment and PurposeThe stilus, wax tablet and papyrus, and preparing the young for society.The Dinner PartyThe organisation, guests, entertainment and purpose of the cena.
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3.03.1OverviewThe layers of Roman city society.3.2Citizens and CitizenshipWho counted as a citizen and what it meant.3.3Senators and EquitesProperty, privilege, duties and roles.3.4SlavesBecoming a slave, the legal position, and the work they did.Freedmen and FreedwomenGaining freedom and the limits placed on it (source: Tomb of Naevoleia Tyche and its inscription, Pompeii).
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4.04.1OverviewHow Romans spent their leisure.4.2The Amphitheatre and the GamesDesign, shows, sponsorship and the crowd (site: the Colosseum, Rome).4.3GladiatorsTheir status, training and types.4.4The Chariot RacesThe Circus Maximus, the teams and the charioteers (site: the Circus Maximus, Rome).4.5The TheatreBuildings, comedy and its stock characters, mime, pantomime and the actors (site: the large theatre, Pompeii).The BathsWhy Romans used them, the design and the activities, including the palaestra (site: Central (Forum) Baths, Herculaneum).
- Section B Literature Horace, Juvenal, Petronius & Pliny
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6.06.1OverviewWho Horace was and the set Satires.6.2Horace as the Smiling SatiristHis gentler, self-aware voice.6.3Satire 2.2The case for plain living and a simple table.6.4Satire 2.6The town mouse and the country mouse, and city against country.6.5Satire 2.8The disastrous dinner of Nasidienus.Horace's Themes and TechniquesSelf-mockery and the examples he chooses.
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7.07.1OverviewWho Juvenal was and the set passage.7.2Juvenal as the Angry SatiristHis savage indignation.7.3Satire 3: UmbriciusWhy he is leaving Rome.7.4The Hazards of the CityFire, collapse, crime and the dangers of the night.Juvenal's Themes and TechniquesExaggeration, vivid detail and the speaker's bias.
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8.08.1OverviewPetronius, the Satyricon and the Cena Trimalchionis.8.2The Nature and Purpose of the SatyriconFiction, satire and excess.8.3Arriving at the HouseThe entrance, the guard dog and the first courses (29 to 33).8.4Trimalchio the HostFortunata, his wealth and his household (37 to 38).8.5The Dishes and the ShowThe roast pig and the cook (49 to 50).Trimalchio as the Freedman Made GoodWealth, vulgarity and self-display.
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9.09.1OverviewPliny, his letters and the world they open.9.2The Letters as a Window on Roman LifePersonal commentary on the everyday.9.3The Set Letters and Their SubjectsCity and country leisure, the mean host, a master killed by his slaves, his wife Calpurnia, his sick freedman Zosimus and the chariot races.9.4Pliny's Language and PurposeHow he writes and why.The Image Pliny ProjectsHis position in society and the self he presents.
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10.010.1OverviewDrawing the authors together for the exam.10.2Experiencing the CityThe dangers, and life for rich and poor.10.3Leisure, Food and Dinner PartiesHow the authors depict Roman pleasures.10.4Slaves and MastersThe relationship across the texts.10.5Patrons and ClientsObligation and dependence in the literature.10.6Women and MenHow relationships between them are portrayed.10.7The Authors ComparedHorace, Juvenal, Petronius and Pliny side by side.Exam TechniqueThe Literature section, the prescribed extracts and the longer responses.