4.2 The Parade of Heroes and Rome's Destiny

📚 A-Level Classical Civilisation ⏱️ 60 min 📖 Virgil's Aeneid - Book 6

The Climax of Book 6

After reuniting with Anchises, Aeneas is shown the souls waiting to be reborn as future Romans. This "parade of heroes" (lines 756-892) is the emotional and political climax of Book 6—and arguably of the entire Aeneid. Anchises reveals Rome's glorious destiny, culminating in Augustus.

Why the Parade Matters for Exams
The parade of heroes shows: Rome's destiny as divinely ordained, the Julian family (Augustus) as climax of history, Roman values (pietas, military virtue), and Virgil's political purpose (legitimizing Augustus). It's THE key passage for questions about propaganda, Rome's mission, or the role of fate.

Structure of the Parade

756-787: Silvius and early Alban kings (Aeneas's descendants before Rome's founding)

788-812: Romulus (founder of Rome) and the seven kings

813-846: Republican heroes (Brutus, Decii, Fabii, etc.)

847-853: Rome's mission statement ("spare the conquered, subdue the proud")

854-859: Augustus Caesar—the climax, Rome's greatest leader

860-886: More Republican figures

887-892: Marcellus (Augustus's heir who died young)—tragic ending

Purpose of the Parade

Multiple Functions

Motivation for Aeneas: Shows his suffering has purpose—he's founding the greatest empire in history

Legitimation of Augustus: All Roman history leads to Augustus as culmination and perfection

Link past to future: Troy (destroyed past) connects to Rome (glorious future) through Aeneas

Roman values: Heroes embody pietas, military courage, sacrifice for the state

Propaganda: Makes Roman imperialism seem cosmically inevitable and divinely blessed

Anchises Introduces the Vision

Anchises leads Aeneas to a vantage point where they can see souls gathered, waiting to be reborn. These are not random dead—they are future Romans, lined up in chronological order, ready for their historical moment.

"Come now, I will show you the whole extent of your fame, what glory awaits the Trojan race, what descendants from the Italian people are to come, illustrious souls destined for our name, and I will teach you your destiny."
— Anchises to Aeneas, Book 6.756-759

What Anchises Promises

  • "the whole extent of your fame": Aeneas's legacy—measured not by his deeds but by his descendants
  • "what glory awaits the Trojan race": Troy lost, but its people will achieve greater glory as Romans
  • "descendants from the Italian people": Romans will be MIXED—Trojan + Italian, not pure Trojan
  • "illustrious souls destined for our name": These heroes already exist as souls, waiting for their turn to live
  • "I will teach you your destiny": Knowledge = understanding why suffering was necessary

The Souls Waiting to Be Born

Anchises has explained (earlier in Book 6) that souls are purified in the underworld, then drink from the river Lethe to forget their past lives, before being reborn. These souls have completed purification and are ready for incarnation.

This makes Rome's history feel PREDETERMINED—these heroes already exist, just waiting for time to unfold. Their existence proves Rome's destiny is real, not hypothetical.

Dramatic Irony for Roman Readers

Virgil's original audience KNEW these heroes—Romulus, Brutus, Caesar, Augustus. They're seeing their own history presented as Aeneas's future. This creates powerful dramatic irony: we know these heroes succeed; Aeneas is learning it for the first time. The parade validates Roman pride by making their achievements seem fated from the beginning.

Romulus: Founder of Rome

The parade's first major figure is Romulus, Rome's legendary founder. Anchises introduces him with reverence and joy—this is the man who will transform Aeneas's mission into reality.

"Turn your eyes here now, and look at this people, your Romans. Here is Caesar, and all the line of Iulus, destined to pass beneath the great vault of the sky. This, this is the man you have heard promised to you so often, Augustus Caesar, son of a god, who will bring back the Golden Age to Latium, to the fields where Saturn once reigned, and extend Rome's empire beyond the Indians and the Africans."
— Anchises showing Augustus, Book 6.788-795
Romulus (Traditional founder, 753 BC)

Role: Abandons Alba Longa (the Alban city) and founds Rome itself

Symbolism: "Mother Mars's son"—divine heritage like Aeneas (son of Venus)

Achievement: Rome will grow from his "augury" (divine sign) to rule the world

Connection to Aeneas: Completes Aeneas's mission—builds the city that fulfills Troy's destiny

Why Romulus Comes First

  • Chronologically first—establishes Rome as a city
  • Divinely born (Mars's son) like Aeneas (Venus's son)—divine favor continues
  • Links Aeneas's journey to Rome's beginning—the mission succeeds
  • But quickly surpassed by Augustus—Romulus founds Rome; Augustus perfects it

The Seven Kings of Rome

After Romulus, Anchises shows the six kings who followed him (traditional Roman history lists seven kings total before the Republic). These are briefly mentioned, establishing Rome's monarchical period.

The Kings (briefly mentioned)

  • Numa Pompilius: Religious king, established Roman ritual and law
  • Tullus Hostilius: Warrior king, destroyed Alba Longa
  • Ancus Marcius: Expanded Rome's territory
  • Tarquin the Elder: Built Rome's infrastructure
  • Servius Tullius: Organized Roman society
  • Tarquin the Proud: Tyrannical last king (overthrown to create Republic)

Why Rush Through the Kings?

Virgil spends little time on the kings because monarchy isn't Rome's glory—the REPUBLIC is. The kings establish Rome's foundations, but republican and imperial heroes represent Rome's true character. This reflects Augustan ideology: Augustus restored the Republic (allegedly), so republican values matter more than monarchical power.

Brutus: Founder of the Republic

Lucius Junius Brutus overthrew the last king (Tarquin the Proud) and established the Roman Republic (traditional date: 509 BC). He's a hero of republican liberty—but his story is also tragic.

"Would you see Tarquin the kings, and the proud spirit of avenging Brutus, and the rods of office regained? He will be first to receive the power of consul, and the cruel axes, and when his sons stir fresh warfare, the father will call them to their deaths for the sake of lovely liberty. Unhappy man, however posterity judges those deeds! Love of country will prevail, and limitless desire for glory."
— Anchises on Brutus, Book 6.817-823
Brutus (Founded Republic, 509 BC)

Achievement: Overthrew monarchy, established Republic and rule of law

Tragedy: His own sons conspired to restore the monarchy; he executed them himself

Roman value: Public duty over private family—ultimate pietas toward state

Anchises's judgment: "Unhappy man"—but "love of country will prevail"

The Brutus Dilemma

  • "cruel axes": Symbol of authority—but used to kill his own sons
  • "unhappy man": Anchises pities him—doing right doesn't mean feeling good
  • "however posterity judges": Moral ambiguity—is killing your children ever justified?
  • "love of country will prevail": Public duty trumps private feeling—this is Roman heroism
  • Parallels Aeneas leaving Dido—personal loss for collective good

Republican Military Heroes

Anchises shows a procession of Republican generals and heroes—men who expanded Rome's territory and defended it against enemies. These are the warriors who made Rome an empire.

Key Republican Figures

  • The Decii: Father and son who sacrificed themselves in battle for Rome's victory
  • The Fabii: Noble family, one entire branch (300 men) died fighting Etruscans
  • Fabius Maximus "Cunctator": Defeated Hannibal through delaying tactics (saved Rome)
  • Scipio Africanus: Finally defeated Hannibal at Zama (ended Second Punic War)
  • Pompey and Caesar: Civil war leaders (ominously paired—foreshadows destruction)

Fabius Maximus: The Delayer

Virgil singles out Fabius Maximus for special praise—the general who saved Rome from Hannibal by avoiding direct battle and wearing the enemy down through attrition.

"One man, by delaying, restored our fortunes"—patience and strategy valued over reckless courage. This reflects Roman pragmatism: victory matters more than glory.

Pompey and Caesar: Ominous Note

Anchises mentions Pompey and Caesar together—but they fought a civil war that nearly destroyed Rome. He begs them: "Don't turn your strength against your own homeland! You first, Caesar, descended from Olympus, cast away your weapons!" This reminds Roman readers that even great men can cause catastrophe through civil conflict. Augustus ended this cycle—making him greater than either.

Augustus: The Climax of History

After parading Republican heroes, Anchises reaches the climax: Augustus Caesar, Rome's current emperor (when Virgil wrote). He's presented as the fulfillment of all Roman history—the man who brings the Golden Age.

"This, this is the man you have heard promised to you so often, Augustus Caesar, son of a god, who will bring back the Golden Age to Latium, to the fields where Saturn once reigned, and extend Rome's empire beyond the Indians and the Africans, to a land beyond the stars, beyond the paths of the year and the sun."
— Anchises on Augustus, Book 6.791-796

Augustus's Divine Presentation

  • "This, this is the man": Emphatic repetition—he's THE one, the awaited savior
  • "promised to you so often": All prophecies (Books 1, 3, etc.) point to him
  • "Augustus Caesar": Uses his full title, emphasizing authority
  • "son of a god": Julius Caesar was deified; Augustus is technically divi filius (son of divine Julius)
  • "Golden Age": Saturn's reign = mythical paradise; Augustus restores it
  • "beyond the stars... beyond the sun": Empire extends to cosmic limits—universal rule
Augustus as Fulfillment
Every hero before Augustus is preparation; he's the culmination. Aeneas founds the line, Romulus founds the city, Republican heroes expand the empire—but Augustus PERFECTS everything. He's presented as divinely destined, the man for whom all Roman history was merely prologue.

What Augustus Achieves (According to Anchises)

  • Restores the Golden Age: Peace, prosperity, moral renewal after civil war chaos
  • Extends empire: Beyond existing boundaries—to India, Africa, the limits of the world
  • Surpasses Hercules: "He will extend his power beyond Hercules"—greater than demigods
  • Surpasses Dionysus: Even the god who conquered India is less glorious
  • Closes gates of war: The Temple of Janus (closed only during peace) will finally shut

Why This Is Propaganda

Legitimation: Augustus's rule isn't political accident—it's cosmic destiny fated since Troy's fall

Divinity: "Son of a god" makes his authority sacred, not just political

Historical inevitability: All Roman heroes lead to him—he's the telos (end goal) of history

Peace and prosperity: He ended civil wars—positioned as Rome's savior, not just another general

Comparing Augustus to Past Heroes

Greater Than Hercules and Dionysus

Anchises explicitly compares Augustus to Hercules (Rome's greatest mortal hero) and Dionysus/Bacchus (god who conquered the East). Augustus surpasses BOTH—human and divine.

This is extraordinary claim: Virgil positions a living political leader as superior to mythological demigods and gods. It shows how far Augustus's propaganda went in elevating his status.

Is Virgil Being Sincere?

Scholars debate: Is Virgil genuinely praising Augustus, or is this propaganda so extreme it becomes ironic? Arguments for sincerity: Augustus DID end civil wars and bring peace. Arguments for irony: The epic ends with Aeneas killing in rage—undermining the "perfect peace" narrative. Virgil may be both celebrating Augustus AND showing empire's moral costs. The ambiguity is probably intentional.

Marcellus: The Tragic Ending

After the triumphant presentation of Augustus, the parade ends with devastating sadness. Aeneas sees a beautiful young man surrounded by gloom and asks who he is. Anchises reveals: Marcellus, Augustus's nephew and heir—who will die tragically young.

"Who is that, father, walking with him? His son, or one of the great race of his descendants? What noise his companions make around him! How great his presence! But dark night hovers round his head with its sad shadow."
— Aeneas seeing Marcellus, Book 6.863-866

Aeneas's Question

  • "walking with him": Near Augustus—suggesting closeness, importance
  • "What noise his companions make": Surrounded by admirers—clearly special
  • "How great his presence": Noble bearing—worthy of attention
  • "But dark night hovers": Visual sign of doom—death shadows him
  • Aeneas sees the tragedy before knowing who this is—foreshadowing creates pathos
Then father Anchises began, with rising tears: "O my son, do not ask of the great sorrow of your people. The fates will only show him to earth, not let him stay longer. The Roman race would have seemed too powerful to you gods, if this gift had been lasting. What groans of men that Field of Mars will send to Mars's great city! What funeral rites you will see, Tiber, as you glide past his new-made tomb!"
— Anchises on Marcellus, Book 6.867-873

Anchises's Lament

  • "with rising tears": Even in the underworld, this death causes grief
  • "do not ask of the great sorrow": The loss is too painful to fully describe
  • "fates will only show him": He'll live briefly, then die—teasing Rome with what could have been
  • "too powerful to you gods": Gods jealous of Roman greatness—so they take Marcellus away
  • "What groans... What funeral rites": Rhetorical questions emphasizing magnitude of mourning

Who Was Marcellus?

Historical Context

Marcus Claudius Marcellus (42-23 BC) was Augustus's nephew (son of his sister Octavia). Augustus adopted him as heir and married him to his daughter Julia. He was being groomed to succeed Augustus as emperor.

In 23 BC, when he was only 19, Marcellus died suddenly (possibly from illness). Rome mourned deeply—he represented hope for dynastic continuity. His death left Augustus's succession uncertain.

"No youth of the Trojan race will raise his Latin ancestors to such heights of hope, nor will the land of Romulus ever boast so proudly of any of its sons. Alas for his piety! Alas for his ancient honor, and his hand unconquered in war! No one could have opposed him in combat unscathed, whether he met the foe on foot or dug spurs into his foaming horse's flanks."
— Anchises praising Marcellus, Book 6.875-881

What Marcellus Could Have Been

  • "raise ancestors to such heights of hope": He would have exceeded even Augustus's glory
  • "land of Romulus never boast": Rome's greatest son—comparative to Romulus himself
  • "Alas for his piety": Had the key Roman virtue (pietas)
  • "hand unconquered in war": Military excellence—perfect Roman leader
  • All potential, never realized—makes the loss more tragic
Why End on Tragedy?
After celebrating Augustus and Rome's glorious destiny, Virgil ends with grief over Marcellus. This complicates the triumphant narrative—even fated glory involves loss. Rome achieves greatness, but individuals suffer. The parade could have ended with Augustus's triumph; instead, it ends with mourning. This is Virgil's complexity: yes, Rome is glorious; yes, that glory costs everything.

Effect on Original Audience

When Virgil (allegedly) first recited this passage to Augustus and his family, Marcellus's mother Octavia fainted from grief. The wound was fresh—Marcellus had died only a few years earlier. Virgil's poetry immortalized him, but also reminded everyone of Rome's loss. The tragedy wasn't abstract; it was real, recent, raw.

The Final Lines on Marcellus

"Alas, poor boy! If only you could break the harsh bonds of fate! You will be Marcellus. Give me handfuls of lilies, let me scatter purple flowers, let me load my descendant's spirit at least with these gifts, and perform this unavailing duty."
— Anchises's final words on Marcellus, Book 6.882-886

Funeral Imagery

  • "harsh bonds of fate": Even Anchises (dead) can't change fate—Marcellus must die
  • "You will be Marcellus": Future tense—he hasn't lived yet, but his death is already known
  • "lilies... purple flowers": Funeral offerings—treating him as already dead
  • "load his spirit with gifts": Ritual honor for the dead
  • "unavailing duty": Pietas performed even though it changes nothing—ultimate Roman value

Rome's Mission Statement

In the middle of the parade (just before highlighting Augustus), Anchises gives the most famous statement of Rome's purpose. This is Virgil's definitive answer to "What is Rome FOR?"

"Others, I do not doubt, will beat the breathing bronze to softer lines, draw living faces from the marble, plead cases better, chart the heavens, and predict the rising of the constellations: you, Roman, remember to rule the peoples with power (these will be your arts), to crown peace with law, to spare the conquered, and subdue the proud."
— Anchises defining Rome's mission, Book 6.847-853
Most Important Lines in the Aeneid
"Tu regere imperio populos, Romane, memento / parcere subiectis et debellare superbos" — "You, Roman, remember to rule peoples with power / to spare the conquered and subdue the proud." This is Rome's self-definition: our excellence is GOVERNANCE and MILITARY POWER, not art or philosophy.

Breaking Down the Mission

  • "Others will... ": Greeks excel in art (sculpture), oratory, science (astronomy)
  • "I do not doubt": Concedes Greek superiority in these fields—not claiming Romans are best at everything
  • "you, Roman": Direct address—emphasizes distinct identity
  • "remember to rule": Imperative—this is command, not suggestion
  • "regere imperio populos": Rule peoples with imperium (legitimate authority/power)
  • "these will be your arts": Governance IS Rome's art form—politics as aesthetics

"Spare the Conquered, Subdue the Proud"

The Dual Policy

  • "parcere subiectis": Spare/show mercy to those who submit—clemency is strength
  • "debellare superbos": War down (utterly defeat) the proud who resist
  • Message: Submit to Rome = mercy and integration; Resist Rome = total destruction
  • This justified Roman imperialism: we're not cruel conquerors, we're bringing order
  • But "mercy to the conquered" assumes conquest is legitimate in the first place

Why This Matters

Legitimation of empire: Rome doesn't conquer for greed—it brings law, peace, order (Pax Romana)

Moral superiority: Greeks make art; Romans make civilization—governance is higher calling

Clementia: Mercy (clementia) was Augustus's claimed virtue—he spared enemies in civil wars

Justification: The "proud" deserve defeat; the submissive deserve protection—imperialism as moral duty

Is This Convincing?

From Roman perspective: Yes—they genuinely believed empire brought civilization, law, infrastructure, peace. From conquered peoples' perspective: Roman "mercy" still meant losing sovereignty, paying taxes, accepting subordination. Virgil presents this as Rome's noble mission, but modern readers often see it as propaganda justifying oppression. Both readings are valid—which makes the passage complex and worth analyzing.

Connecting Mission to Aeneas

How Aeneas Embodies Rome's Mission

"Crown peace with law": Aeneas negotiates treaties, establishes order (not just conquest)

"Spare the conquered": Aeneas shows mercy to defeated Lausus, grieves for enemies

"Subdue the proud": Turnus is "proud" (superbus)—his defeat fulfills mission

But ending complicates this: Aeneas kills Turnus in rage, not justice. Does he fail the mission? Or does "subduing the proud" require violence that looks unjust? Virgil doesn't answer—leaves it ambiguous.

For Essays: Using the Parade

Key Points to Make

1. Structure matters: Parade starts with kings, climaxes with Augustus, ends with Marcellus—triumph mixed with tragedy

2. Propaganda function: Makes Augustus seem divinely destined, legitimizes his rule as culmination of history

3. Rome's mission: Governance, law, empire—presented as moral duty, not mere conquest

4. Complexity: Marcellus's death shows even fated glory involves loss—Virgil both celebrates and mourns empire

5. Dramatic irony: Roman readers know these heroes; Aeneas is learning—creates emotional connection to history

Ultimate Exam Point
The parade of heroes is simultaneously: celebration of Rome's greatness, propaganda for Augustus, statement of Roman mission, and tragic reminder of individual costs. Show examiners you understand this isn't simple triumphalism—Virgil both glorifies destiny and shows what's sacrificed to achieve it. Sophisticated essays analyze the tension, not just the surface meaning.